Swimming Pool Series: Pool IV
Beth Meadows Pool IV acrylic on canvas 16x20" 2012
I feel like this painting was an accident, but that may not be accurate. 

I guess what I mean is that I didn't have a vision of this at all when I began painting it. I'm happy with the outcome because it's rare that I wander far from representational work. This painting goes in a direction I've been fantasizing about going in (toward abstraction), but it's going to have to be an accident if it's going to happen at all. I don't think I could do this on purpose and it be successful, at least right now. 


Swimming Pool Series: Pool III
Beth Meadows Pool III acrylic and varnish on canvas 18x24" 2012
I've written before about my love of swimming. Almost a year ago now, I was reunited with swimming consistently in a pool when I joined the YWCA in downtown Knoxville.

Something I haven't mentioned about these paintings is that I'm not looking at anything when I'm making them, which is not typical of most of my paintings. I usually look at photos, but these are based on memory. As I made Pool III, I thought about the pool I know best right now- the one at the YWCA.

At first, the canvas was mostly gold. When I added black on the left side, I really liked it, so after a week or so, I added more all over and scratched into it under the lights, letting the gold come back through.

My painting professor in art school, Michael Brakke, always said that the removal of paint from a canvas is just as important as the addition of it. Everytime I scrape, scratch, or wipe away paint from a canvas, I think of him.

Painting a series gives you boundaries in the art-making process, a thing I'm not used. I typically paint on all types of materials and everything's a different size. While it's been nice to be confined to certain rules I've set up for these paintings, those boundaries also became somewhat irritating. Sticking with it, however, pushed me in certain directions I may not have gone in and it became a challenge I appreciated.

Looking at this series as a whole, I'm happy with the outcome of this painting.

Sidenote: Do you recognize the light fixtures? Here's a hint.


Swimming Pool Series: Pool I

This is the first painting I made for this series of black and gold paintings of pools.

Beth Meadows Pool I acrylic and varnish on canvas 18x24" 2012

I have this memory from childhood of walking out to a parking lot with my family and family friends at night after swimming at a public pool. My hair is wet, I have a towel wrapped around me, and my chlorine infused eyes blur the parking lot lights. 

The memory itself doesn't seem significant. There's also a chance it never even happened. I could have dreamed it or concocted it from reading books or watching TV.

Either way, it is now a painting.

Swimming Pool Series: Pool II

I've painted and drawn swimming pools for a few years now but have recently started a new series mixing this subject matter with a gold and black color palette.

Gold and black is one of my favorite color schemes currently, conjuring up thoughts of high end fashion and design, fame and fortune. There is an inherent glamor when the two pair up, a feeling of luxurious living that swimming in a crisp clean pool makes me feel (no matter how much money I might currently have).

Below is one of about six or seven that I'm in the process of making for an upcoming show I have in Nashville. More to come...

Beth Meadows Pool II acrylic and varnish on canvas 16x20" 2012


Thoughts on Strong Women
I saw this old lady on TV a while back who lived in the mountains. Her hair was long and grey and she wore a pink nightgown. She grasped the rungs of a wooden ladder with her bony fingers to climb on top of her tin roof where she showed off apples she had laid out to dry. (The photo below is not her, but it reminded me of her.)


My dad and I went hiking last weekend in the Smokies near Wears Valley. It had been raining off and on, saturating the color of everything. When we reached the Walker Sisters Cabin, the rain stopped for a brief moment. I walked around in the silence, imagining what it would have been like to live there.


I did some reading about the Walker Sisters later. They refused to give up their home when the government began buying up land in the 1930s to form the National Park. Eventually they gave in in exchange for a lifetime lease so that they could spend the remainder of their days there.


I wonder about their lives, especially in regard to men and love. They were spinsters, but what was the reality of that? Did any of them ever fall in love or want to have children? Did any of them go on hot dates while the others stayed at home? Were they satisfied living a simple life together?

They were known for living traditionally and for possessing good character, so much so, they became a tourist attraction.

Imagine walking through the woods and seeing smoke rising from their chimney.


When I was in Namibia several years ago, I met a woman who raised Arabian Horses on a farm with her husband. She was overwhelmingly hospitable, kind, a woman full of virtue. We talked under an expanse of stars while she grilled meat from their game reserve for my friends and me. We only spent a few hours with her, but I'll never forget her for as long as I live.


I think about these women a lot, strong women living amongst nature because that's what they want. 

I imagine this kind of woman knows her worth outside of a romantic relationship, and if a man ever did come around that was worthwhile enough, she'd be the best lover of him. She would love out of fullness, not necessity.


Life can feel like it's racing by at a speed we can't keep up with, and simultaneously many women struggle with if they're doing enough, adding up enough, accepted enough.

Lately, I try to think about things, like

an old woman in a pink nightgown drying apples on her tin roof.
five sisters writing a letter to the government, refusing to give up their home.
a naturally beautiful woman leading a glossy horse by its reins.

I think about what and whom I've been given a capacity to love. What is right in front of me and am I taking care of it the best that I can?



Photos of September Show at Bliss Home (Now Showing)
For my September show at Bliss Home, there are still mason jar paintings on wood, but I've added new ones on slate roof tiles. The ones on slate are only $35 (a steal) so go to Bliss Home and get one... or three. If you are afar, you may also order them from my Etsy shop - more will be added this week, so keep your eyes peeled.


I made ten new pieces for this show inspired by an interest in the convergence of trends and classics in women's fashion today.

The image below has directly influenced these pieces- a Valentino ad I saw in Vogue a few months ago.

The vintage-looking lace dresses with hot pink and neon yellow embellishments. Be still my heart. 

Take a look at the beginning of the series inspired by this idea.




Using acrylic and spray paint, I dipped, painted, and spray painted stencils on lace and fabric and put them in antique window sashes and vintage frames.







I limited the paint color scheme to hot pink, neon yellow, gold, and even some black, which is not shown here.



I finished them off by signing the sides and even the fronts of some, in designer-esque fashion.



I'm excited to see where this series goes. I have to take a little break from this work but all ready have ideas for when I can pick it up in a month or so. Can't wait.

If you like what you see, it is available for purchase at Bliss Home this month.