Posts in "painting"
At long last


I'm displaying some of my newest paintings at Otherlands Coffee Bar in Memphis February 2 through March 3. I've shown some work in Memphis before, but I consider this my official hometown debut.

The Opening Reception is February 2 from 5-8pm. I'll be there so please come out if you'll be in Memphis. I'd LOVE to see you.

Otherlands Coffee Bar
641 S Cooper
Memphis, Tennessee





P.S. Thank you, Miss Peaches.
All my heroes are dead*
That's not true, but

I've been checking out a lot of documentaries from the public library lately. The cold and my wallet have been inspiration.

I wasn't so sure, but it's becoming one of my favorite things. It's like school without tuition or papers... or reading.

I watched the first season of PBS's Art 21 about a month ago. I have this feeling we watched it in one of my drawing classes, but I can't remember. That's the thing with me and information- we love and then we lose each other.


One of the first episodes features Margaret Kilgallen. Even if I had seen her work while in school, it may have not mattered then, but it matters now.


She talks about seeing hand-painted signs for businesses around San Francisco. She loves their simplicity, their crudeness. She draws on trains and she makes massive murals of folk-inspired text and images on gallery walls.


It's a little troubling to realize someone else (over a decade ago) has all ready made the work you have dreamed of making. At the same time, it's a relief to know there's someone else out there that's a kindred spirit, that likes what you like and is a bad-ass at making what you kind of maybe thought about making (but probably never would have to the extent they did).

It's also exciting to think about what you can learn from art someone else has all ready made, how it can propel you like a pinball lever somewhere else.

***
I watched the documentary Beautiful Losers a couple of nights ago. Margaret was in that one, too. It included some of the same footage of her from Art 21. Why?

At the end you learn Kilgallen died after giving birth to her daughter.

(No)

I did some reading on the specifics. "Though diagnosed with breast cancer, Kilgallen opted to forgo chemotherapy so that she might carry a pregnancy to term.**" She died as a result in 2001 at 33.

A talented artist ends her career, her marriage, her life through sacrificial love.

(Sigh)

***

If she was alive, I would have liked to have written her a letter, maybe invite her to come to Knoxville. I think she would have liked it.



***

This came on while I wrote this.


*Also, this guy.
**Wikipedia
Llama prints available
The acrylic painting Llama that I made for an opening in November 2011 is now available in print form.



I have 8 x 10"'s (click here) and 5 x 7"'s (click here) available on Etsy. If you're interested in a larger size, you may email me at beth@bethmeadows.com.

The prints are of exceptional quality, printed on archival cotton rag paper with light-fast inks, meaning they won't fade over time. They are also signed on the back and fit in standard-size frames.
No. 99
I have one more mason jar painting to make to reach my goal of 100. Here is No. 99, which you may purchase here.



No. 100 has been claimed by a friend, so that leaves a few at Magpies Bakery and a couple that are also listed on my shop.

I thought at this point I'd know more how I felt about continuing to make these after I reached 100. I'm not burnt out on them, but I'd like to take a break to concentrate on some drawings I've been wanting to make on paper.

In other news, I just booked a show at a coffee shop in Memphis for February (more on that later) and am working on showing at a very popular dining establishment in downtown Knoxville come spring. (can you guess which?)
About the Painting: Llama
I'm not sure if anyone has gathered this, but I really like animals. I like them so much that when I was finishing up college, I got a job working at a vet clinic, just to see what it was like*.


Llama
acrylic on canvas
2011
Sold (I will have prints of this soon)

The clinic was about a 20 to 30 minute drive from where I lived in downtown Knoxville, and most of the time, I was the only employee there with my boss. I'd spend my hour long lunch breaks alone and also the afternoons, when she'd leave for a few hours.

As I've mentioned before, I was really down back then but was too confused, prideful, (something), to do anything about it. I bring this up because, even though my job was really great, it wasn't good for me to be alone so much.

On my hour lunch break, I did various things alone in the area, trying to distract myself from thinking too much.

One activity I enjoyed was taking walks at Victor Ashe Park. It's not an aesthetically pleasing park and best serves soccer players and disc golfers, but there's a path that runs through it to the far end where it crosses a small road, passes over a creek via a bridge, and winds with the creek through woods and large backyards.

So I'm walking there for the first time, woods on either side, listening to the water rush over root and rock. And I'm looking at the back of these people's houses and their large yards wondering if I'm really supposed to be back there, but there are other people on the path as well.

I look up, and there he is: A dirty white llama standing in the creek, looking straight at me.

He was beautiful. He was magic.

He had a friend lying in the grass behind him, and I stood for a while there, watching and falling in love. And for a brief moment, the dark cloud above my head dispersed.

***

When I'm feeling down, one of my safety nets is seeing something/someone doing what it/they do best, even if it's not particulary exciting.

Besides being cuddly and soft, I think this is part of the reason why I love animals. They are so good at being what they are.

That day I saw the llama, he was perfectly fulfilling his role as a llama, and it made me really grateful.

***

About the painting:

In the beginning stages, I painted a llama from Machu Picchu, with the mountains and ruins behind and below him. I wanted him to be magical and strong, so it seemed like a good idea to have him standing on a tall cliff.

I decided, however, that this idea took away from the fact that anyone could happen upon this llama, as I did. I also thought it was important to have the creek.

I painted the sky pink first, and then about 20 other colors. At the time I was painting it, my friend Josh was practicing for a double bass recital in the room next to my studio a lot. As the sky changed from light yellow to white to dark grey to black, he kept telling me to make it pink again. He knows as much about art as I do about the double bass (very little), and I can't say I wanted to trust him, but for some reason, I did.

I also made the llama white because I didn't want dirt to read as brown fur. I also wanted to make him a little more fantastical, because he is. Fantastic.

*If you like animals because they are soft and cuddly, I wouldn't necessarily recommend working at a vet clinic. For all the cuteness, there is just as much that's sad, terrible, tragic, painful. I learned a great deal there.
3 places my artwork is/will be this month
This month, I have artwork in a few places.

One is Urbhana, located at 115 South Gay Street (Knoxville 37902) My newest paintings are there until the end of the month.

Urbhana is open:

Mon - Fri: 12:00 pm - 4:00 pm
Sat: 1:00 pm - 5:00 pm



It Don't Come Easy
acrylic on canvas
approximately 4' x 3'
$1500

Two is Magpies, located at 846 North Central Ave. (Knoxville 37917). My newest mason jar paintings are there for sale and also some framed prints of my paintings. They'll be up through December.

Magpies is open:

Tue - Fri: 10:00 am - 5:30 pm
Sat: 10:00 am - 2:00 pm



Three is I will be at the Holiday Market on Market Square THIS Saturday, December 10 from noon to 7pm. I'll have mason jars paintings, fine art prints, and more plus half of my booth will be dedicated to Knox Heritage with salvage, Knoxville postcards, JFG light bulb ornaments, and Summer Supper Cookbooks.



Come out and support your local artisans and craft makers!

In the meantime, hope all of you are drinking lots of hot chocolate and merry-making these days.
Come to this, ok?
Originally posted on www.notawigshop.com...

Tomorrow evening, you are invited to 17th Street Studios' Open Studio Night. Come and see the spaces where local artists (designers, movie producers, sculptors, painters, ceramicists) work.























There will be food and drinks to enjoy, whether you quietly peruse artwork or intensely interrogate each artist. Some work will also be for sale.
















This is a great opportunity to support the work of 13 Knoxville artists. We'd love for you to stop by.



17th Street Studios OPEN STUDIO NIGHT
Wednesday, November 30, 2011
7-9pm
1642 Highland Avenue in Fort Sanders
on the corner of 17th and Highland in Redeemer Church